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Curator  l  세계 예술의 방향을 제시하는 기획자들

슈퍼 큐레이터~ 세계 미술 의 방향을 제시하고 분석하는 전시 기획자들을 소개 합니다.
미쉘 웡(Michelle Wong)
홍콩에 기반을 둔 아시아 아트 아카이브(Asia Art Archive) 연구원이다. 
1960년 아시아 미술계의 국제적 교류, 자료의 형태로서의 작품, 독립 미술 공간 등에 초첨을 맞추어 연구해 오고 있다. 
근래의 연구 프로젝트로 고 홍콩작가인 빅 추엔 (1925-2009)의 전시아카이브를 매핑한 “Ha Bik Chuen Archive Pilot Project”가 있다. 
게티 재단(Getty Foundation)의 ‘미술사의 연결’(Connecting Art Histories)에서 후원한 ‘야심적인 정렬: 동남아시아 예술의 새 역사’(Ambitious Alignments: New Histories of Southeast Asian Art) 연구 프로그램에 참여하고 있기도 하다.

Michelle Wun Ting Wong
Researcher, Asia Art Archive
Realigning Global Coordinates: The Case of Hong Kong and Manila, 1960s and 1982

This project is developed from an ongoing project at Asia Art Archive on Hong Kong Art History Research. 
Throughout the 1960s, a group of Hong Kong artists repeatedly showed at the Luz Gallery in Manila and then the City Hall Art Gallery and Museum in Hong Kong. 
Many then took part in a large-scale exhibition on contemporary Hong Kong art at the Metropolitan Museum of Manila in 1982. 
These moments formed part of a larger picture within Hong Kong’s “international” art ecology, alongside other avenues of international exchange including Rockefeller grants, participation in Sao Paolo biennale, and exhibitions traveling from overseas. 
While each were stringed to their respective agendas amidst Cold War politics, colonialism, and nation-building, these moments of realigning global coordinates were developed in ways that can present a different understanding of what constituted regional categories such as Southeast Asian Art. Using this Hong Kong-Manila connection as a starting point, this project proposes to use international modes of exchange as a lens to examine the national, institutional, individual, and commercial forces at work across geographies that instantiated such regional alliances and their cultural impact.

michelle-wong.jpg

Michelle Wong is a Researcher at Asia Art Archive. 

Based in Hong Kong, she leads the Archive’s research projects in the city, including the Hong Kong Art History Research Project, organized in collaboration with the Hong Kong Museum of Art: a long-term endeavor started in 2013 to create a publicly available resource platform to support art historical research on recent art in Hong Kong.

Her other projects include the Ha Bik Chuen Archive Pilot Project, which maps out exhibition documentation from 1960-2000 taken by late Hong Kong artist Ha Bik Chuen (1925–2009), alongside other materials that were previously unavailable to the public. 

This was accompanied by the exhibition “Excessive Enthusiasm: Ha Bik Chuen and the Archive as Practice.” The Hong Kong Art History Research Project and Ha Bik Chuen Archive Project form a key part of an undergraduate course Asia Art Archive has developed in collaboration with the Fine Arts Department of the University of Hong Kong.

Wong is part of “Ambitious Alignments: New Histories of Southeast Asian Art,” a research program funded through the Getty Foundation’s Connecting Art Histories initiative, developed by The Power Institute Foundation for Art & Visual Culture at the University of Sydney in cooperation with regional partners, National Gallery Singapore and The Institute of Technology, Bandung.
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